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Mexican short documentary.

A greedy land developer steals the land from an Apache Indian tribe. His plan involves shooting most of the Apaches but an Apache warrior survives and gets revenge.

The story begins in Central Visayas during the pre-colonial period, where natives and diwatas (gods) are living together in harmony, harvesting the bounty of the earth and sea, guided and loved by Laon (the Creator). Ynaguiguinid, the goddess of war, who have fallen in love and had chosen to marry a warrior tribesman lives with their newborn child, a demigod. But they had to face a pitiful separation when chaos, confusion, death and destruction comes with the arrival of the Spaniards conquistadors whose aim is to spread Christianity and at the same time, to take control of the strategic trade routes and to control the resources of the archipelago. Due to the wounds from a battle in an attempt to defend the settlement, Ynaguiguinid had to transfer all her powers to her lifeless son to survive, resulting to her own death. The baby was later found and raised by a native couple, Tarong and Linang, who named the child, Malaya after a Tagalog word which means “Free“.

Based on Francisco V. Coching's adventure comics novel, it tells the story of Fernando (Cesar Ramirez), a handsome and dashing colored (probably mulatto) Spanish mestizo who went back to the Philippines to exact revenge on his father whom he believed abandoned him and his mother Blanquita (Tita Muñoz). There, he discovered the cruel and oppressive colonial government and joined the rebels in the fight against the oppressors as El Indio.

The collective of antipatriarchal men is a political organization that, since 2010, organizes spaces of group self-reflection to problematize the role of masculinity for those who identify as and/or are read as men. This documentary was filmed around one of their yearly regional forums.

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